WHERE ART BELONGS

WHERE ART BELONGSFrom the press: Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In Where Art Belongs, Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. In four interlinked essays, Kraus expands the argument begun in her earlier book Video Green that the art world is interesting only

frustrate and delight

” These murmurs—appearing as sparse lines atop the ample white space of each page—capture striking rituals and events that blur the line between the ancient and the contemporary

the Anthropocene to Vibrant Matter: a brilliant and radical A-Z of garden history and garden politics

in experimental processes and in being together with others

constantly renewed

this biannual newsprint journal has earned an unlikely cohort of admirers and partners

– Tate Swindell

and Paul Éluard—the poetry of Georges Schehadé is virtually unknown today

Mieko Shiomi

It also marks the occasion of Kopelman’s appointment as the first non-scientist to be named Research Associate at STRI – a formal recognition of her enduring engagement with the institute’s work and the Panamanian landscape

but then something happens

near to the wild heart of life